Jez riley French (sound / photography)
Pheobe riley Law (texts)
13 Mar–7 Maj 2021
8-channel sound installation exhibition
13 Mar 2021 – Saturday exhibition opening for families
16 Mar 2021 – exhibition opening and live sound performance
JrF: The series of works ìsland | fjorar is based around the material gathered on several trips to Iceland and on an ongoing fascination with the interplay of different elements of sound, image and text. Sounds that are usually filtered out by our hearing response or are above or below our hearing range are a key element in the installation. Using extended techniques and self-built devices, I listen in on the sound of minerals dissolving, the infrasound of the earth spinning on its axis and the ultrasonics of geothermal activity. These traces are combined with documentation of momentary interactions of specific locations in Iceland, together with photographic images and text pieces by Pheobe. This new iteration will include multi-channel sound and printed elements. Many of the individual sounds are intense yet these are not extreme events. Rather they are nearer to the truth behind our false idea of Iceland as a tranquil and sonically calm place. In fact, no where is tranquil, at least not for any other species. It is only we humans that feel a need to define and contain ‘nature’, even to the point of separating our species from that word. In this sense, this piece is about the elemental need to question, and the sheer joy of all that can bring (even the difficult answers).
PrL: I enjoy words as performative objects and not always as carriers of a fixed narrative. In reacting and responding to the sounds and the photographic images, I have re-formed found texts, with the intention that they be as much a part of ‘place’ as any other element. Individual pieces from the ìsland | fjorar series began with the momentary experience of being in very specific places whilst exploring Iceland, and, importantly, with all aspects of ourselves.
To accompany the installation Jez riley French and his daughter Pheobe riley Law will use recordings, tape, salt, the locale and materials found in and near the gallery to create an intuitive composition as a response to place, situation and context.
Intermedia artist Jez riley French has been focusing in his research on new technologies, their sonority and different materialities. He uses sound primarily as a material and a subject. Working in the field of artistic research for over three decades, his creations include installations, performances, sound exhibitions and other live events.
Pheobe riley Law’s work explores documentation and transformation of materials including sound, text, film and reformatted objects. She is interested in reframing and dismantling narrative, subverting perceived normalities alongside the construction of personal or social behaviours and the inherent patterns of experience